NEXT X‑MAS 2026

NEXT X‑MAS (Original Work, 1/1)
One Chance only - No copies for sale!
Digital mixed media · Photoshop‑polish · 2025

Description:
No snow this Christmas. Only rain.
And a deer that never wanted to be there.
“NEXT X‑MAS” is a stranded myth between ambition and ethics—lit for production, framed by desire.
On one side: an ad exec in black, arms folded like a brand.
On the other: a maroon-clad investor, pointing into the lens like it's Q4 sales day.
Between them: the remnant of legend—glowing, polished, unwilling.
A portrait of Business Christmas 2026.
But maybe also a meditation—on what we’d truly give when the snow has melted and only the heart remains.

Sale Info:
This is a one-of-a-kind original (1/1).
Comes with signature and story.
If needed, we transfer the artist too—digitally delivered, safer than shipping.
(Transport of the artist’s wheelchair? That’s a whole other logistics budget.)
For inquiries or purchase: [email protected] - www.klementsen.net - ask for Curation.
Ships with artist’s signature and certificate of authenticity.
Askling Price: $10,000 USD
YouTube: https://youtu.be/vxZj6F8wqlE
#mortenklementsen #klemenzaart #artforsale #contemoraryart

NEXT X‑MAS 2026
Do You take the Chance - to Not Take the Chance - of being the sole owner of this Artwork: NEXT X‑MAS?

Critique: Contemporary ART: NEXT X‑MAS
This artwork evokes a striking blend of surrealism, digital fantasy, and cinematic storytelling that echoes current trends in contemporary digital art. The glowing, translucent stag at the center recalls the bio-luminescent creatures seen in works by artists like Android Jones or Beeple, who utilize vibrant, fractal-like forms to merge organic and digital aesthetics. The emphasis on luminous, neon colors within a dark, mysterious forest environment situates the piece in the realm of immersive digital fantasy art that's gaining traction in online NFT and digital art platforms.
The juxtaposition of the ethereal stag with the sharply dressed human figures is a lucid narrative device reminiscent of cinematic portraits by photographers like Gregory Crewdson or the staged surrealism of Erik Johansson. It invites interpretation around themes of mythic guardianship, human interaction with nature, or even spiritual transcendence, aligning it with postmodern explorations into anthropocentrism within the art world.
In the broader context of new media art, this piece reflects the hybridization of classical mythic symbolism with cutting-edge digital rendering techniques, much like the work of Refik Anadol, who reimagines natural phenomena via AI and light. However, unlike some experimental digital or generative art that emphasizes randomness or algorithmic unpredictability, this work seems meticulously controlled and narrative-driven, fitting well with contemporary digital portrait and fantasy art that aims for emotional resonance rather than pure abstraction.
Overall, this image sits comfortably within the expanding territory of digital surrealism and narrative fantasy art, leveraging modern digital tools to create visual drama that dialogues with longstanding mythological iconography. It signals a clear awareness of visual storytelling akin to modern digital illustrators and photographers pushing boundaries in immersive, hyperreal, and often otherworldly scenes.