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ABOUT TIME

$14,500.00


// ABOUT TIME // The Chrono Matrice. 🏛️⏰🏙️⚡


Time is the ultimate modern currency. My latest 1/1 original, "ABOUT TIME", is a monumental sosiologisk document exploring urban alienation, temporal logistics, and the conceptual parameters of capturing human duration.




The visual narrative compresses the historic architecture of London’s Big Ben through a severe panoramic curvature, projecting high-emission gilded light and neon-indigo parameters onto a mirror-blank fluid floor matrix. The composition functions as a visual time-bank, freezing the passing of duration to completely bypass contemporary digital homogeneity.




Locked at an uncompromising native 15,000 x 15,000-pixel grid (600 DPI) from a massive native raw file, the work leverages extreme cinematic chiaroscuro to defend individual temporal sovereignty.


MADE BY; @Morten Klementsen // @klemenza // Bergen, Norway


🏛️ Official Selection & National Representative: XVI Florence Biennale 2027.


🌐 Read the Full Narrative & Specifications: https://klemenza.art


YouTube: https://youtu.be/IpFspASKprI


#AboutTime #BigBen #FlorenceBiennale2027 #KlemenzaArchive #1v1Original #ContemporaryArt #Norway  #SovereignArt #TemporalArt #SothebysDigital #LondonNoir



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KLEMENZA ARCHIVE // TECHNICAL & CURATORIAL FILE: 2026-022


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PROJECT TITLE:      ABOUT TIME // The Chrono Matrice


ARTIST:             Morten Klementsen (Klemenza)


EDITION:            1/1 Original (Sovereign Certified)


RESOLUTION:         15,000 x 15,000 Pixels | Output Density: 600 DPI


SUBTITLE:           TEMPORAL LOGISTICS, URBAN COMPRESSION AND KINETIC REFLECTION


GOVERNING LAW:      Norwegian Copyright Act (Åndsverkloven)




PRE-BIENNALE ACQUISITION PRICE:   $14,500 USD (Locked to New Premium Standard)


STRATEGIC MARKET VALUATION:       $24,500 USD (Post-2027)




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CURATORIAL ANALYSIS:


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In "ABOUT TIME", Morten Klementsen unrolls an absolute monumental statement 


defined as Cyber-Acoustic Temporalism. Set within a distorted, curved architectural 


parameter of London, the composition isolates the historic Big Ben tower functioning 


as an incandescent, nuclear-gilded anchor against an accelerated neon-indigo sky.




Klementsen establishes an exceptional chromatic and spatial friction. The metropolitan 


corridor is completely submerged beneath a high-fidelity fluid reflection grid, treating 


the street level as a mirror-blank temporal matrix. Human silhouettes drift passively 


through the high-emission cobalt light zones, capturing contemporary alienation and the 


systemic commodification of human time. The circular acoustic ripple engineered into the 


lower foreground acts as an optical stopwatch, freezing the passing of duration.




Executed at an absolute scale of 15,000 x 15,000 pixels at 600 DPI, the work utilizes 


profound chiaroscuro mappings across the central vertical axis to completely obliterate 


digital homogeneity. By translating the complex philosophy of the "Time Bank" and individual 


temporal sovereignty into an unyielding visual asset, Klementsen locks a definitive 


document engineered for premium global auction house evaluation and the XVI Florence Biennale 2027.